My practice is informed by the marks life has left, in the landscape and of self.
Working in mediums including ceramics, print, and natural found pigments and materials, I explore hidden stories: traces of what was once there and what remains, the layers of interactions with the earth by humans and nature.
My current work is a response to the ash dieback epidemic, exploring our relationship with the tree; its significance to the natural world and human history, its legacy, impact of its loss, and hope for the future.
I’m also currently mapping Wirksworth through soil pigments and chromatograms.
